Monday, November 25, 2013

Breaking the Spell III


In the fourth chapter of Breaking the Spell, “The Roots of Religion” (see previous posts, Sept. & Oct., 2013), Daniel Dennett claims that “at the root of human belief in gods lies an instinct…to attribute agency—beliefs and desires and other mental states—to anything complicated that moves.” 

He doesn’t really prove this claim or make a serious argument for it.  He certainly doesn’t consider counter-arguments.  His goal seems to be to speculate on possible natural evolutionary explanations for the origin of religion in order to show that we can explain religion without recourse to the supernatural.

His underlying naturalistic assumption is that every phenomenon has a material origin.  Again, he never really makes an argument for this assumption, nor does he consider counter-arguments.  I’m puzzled how he thinks he can persuade religious adherents who don’t share his assumption without addressing it directly.

Nevertheless, it is fascinating to consider that humans developed this instinct or “intentional stance,” as he calls it, for purposes of survival and that this attribution of agency associated with movement becomes the basis of supernatural belief.  It might explain the rise of animism, totemism, and animal deities among early humans.  Dennett also uses this idea to explain the rise of burial and funeral ceremonies.  To the extent that early humans considered each other animistic agents, they would have been deeply conflicted by the association of a rotting corpse with such animism.  One way to resolve the conflict would be to bury the corpse with an accompanying ceremony to affirm the spiritual value of the dead.

If Dennett’s goal is to show that religion can be explained naturalistically, he is largely successful.  The problem is that he has no way to counter the claim of human ensoulment by supernatural means and therefore no way to convince those who start with a non-naturalistic assumption or those who find naturalistic explanations alone to be inadequate to account for the fullness and richness of human experience.

Denial of the supernatural based on the lack of empirical evidence is hardly an argument against it.  By definition, the supernatural would be non-material and non-observable.  All that is required for belief in the supernatural is a conviction that it is possible or a deeply felt experience that one interprets as spiritual or mystical or transcendent in some way.  If the supernatural is possible, then it is not unreasonable to believe in it.  And many believers can offer logically thought out reasons, as well as experiential claims to support their belief.  Of course, there are also many believers who simply accept uncritically what they have been taught or base their beliefs on little more than wishful thinking.

I personally find it difficult to invalidate anyone’s deeply held religious beliefs, especially when they are based on reason and/or experience.  Even if I don’t agree with them, they deserve my respect.

By the same token, I can respect the strongly held beliefs of a naturalist like Dennett.

Where I have a problem is with dogmatism, whether it be the dogmatism of a religious fundamentalist or of a scientific materialist.

Dennett is playful enough in his speculations to avoid a dogmatic tone.  Yet his uncritical assumption of naturalism and his barely concealed contempt for religious believers as inferior to himself is off-putting, to say the least, unless of course the reader shares his assumptions and his sense of superiority.

Tuesday, November 12, 2013

An Enemy of the People I


Upon reflecting on the ethical issues that arise in “A Horseman in the Sky” (see previous post) we might ask whether “duty” is a relative term.  If we sympathize with the Union cause in the Civil War, then Druse’s decision to join the Federal Army is morally right, but if one values loyalty to one’s “homeland” and family, then Druse’s decision is a form of betrayal, even more so because he abandons his mother on her deathbed.  Similarly, from a perspective of military duty, Druse is right to kill his father (or cause his father’s death by shooting his horse), whereas from the perspective of familial duty he should hold his fire, even if it means putting his comrades and the Union cause at risk.

Is morality always relative, depending on culture, upbringing, religion, circumstances, or even one’s own individual moral code, or are there certain general principles of moral behavior that transcend culture, social norms, religion, specific situations, or individual preference?  In Henrik Ibsen’s 1882 play An Enemy of the People, one man defies the civic authorities and the majority opinion of his town in order to take a stand for what he believes is objectively true and morally right.

Dr. Stockmann had developed the plans for the healing baths that have made his town prosperous.  As the chief medical officer in charge of the baths, he notices that after using them some visitors had contracted typhus, so he sends some water samples to be tested at a university laboratory.  The results reveal that the baths have become polluted, and Dr. Stockmann immediately reports this information to the authorities, including his brother, the mayor.

When the mayor and other town leaders find out how much it would cost to repair the baths, how long it would take, and how much lost revenue the town would suffer, they suddenly become skeptical of the lab report and insist that Stockmann not make it public.  His brother threatens to fire him from his job if he spreads the word.  Even Stockmann’s wife, concerned for the well-being of their family, urges him to remain quiet.

In the end the whole town turns against him, and his wife’s fears are realized, as Stockmann is declared an enemy of the people.  He is fired, his patients are told to boycott him, his daughter loses her teaching position, and his sons are attacked in school.  In a public speech to the town Stockmann argues that “might” (in the form of majority opinion and civic authority) does not make “right.”  Truth and right are not relative to the prevailing winds, but have an objective standing, independent of the town culture and social norms.

In rereading this play I was reminded of our own contemporary deniers of evolution and climate change.  When the truth challenges traditional belief or threatens economic well-being, it may find itself dismissed as false, fraudulent, or even conspiratorial.  But, as has often been said, “facts are stubborn things,” and the failure to heed them may lead to disaster.  Some “truths” may indeed be contingent on time, place, and even individual preference, but some truths apply regardless of such circumstances. 

Of course there is a significant difference between a scientifically demonstrable fact and a moral principle, which is beyond the bounds of science.  But is morality outside the bounds of reason? 

When slavery was a socially acceptable practice, did that make it right?  Did it only become wrong when enough people decided it was wrong, or was it always wrong?  Do humans have universal rights?  Or are human rights relative to time and place?

Does Carter Druse have a duty to help abolish the evil of slavery in his country by supporting the Union cause, even if it means abandoning his mother and killing his father, or does he have a duty to protect the “way of life” of his region and family, not to mention a duty to honor his mother and protect his father’s life? 

Does Stockmann have a duty, not only to scientific truth, but also to the well-being of those who use the baths, or does he have a duty to protect the economic welfare of his town and his family, even if it means innocent people get sick and even die? 

Is it all relative or is one choice morally superior to the other?

Friday, November 1, 2013

"A Horseman in the Sky"


Christian ethics (see previous posts on “The Bishop and the Candlesticks” and “Bartleby the Scrivener”) is based on the “divine command” theory of ethics, which in turn is usually based on a sacred text, purporting to embody the word of a supreme deity.  Good and bad behavior is determined by an appeal to the authority of a higher power.  These commands, such as “Thou shalt not kill,” don’t usually include any exceptions, qualifiers or guidance on how to choose when one command comes in conflict with another or when special circumstances such as war or self-defense arise.   The appeal to authority removes the burden of having to think through and develop one’s own moral code, but the absence of exceptions often leaves the believer in a moral dilemma with no way out.  As shown in “Bartleby” and “The Bishop and the Candlesticks,” divine commands often set an impossibly high standard.  They might work in fiction, but not necessarily in reality.

There are those who believe that religion is necessary to morality, but the deontological theory of ethics is based on our human ability to think for ourselves.  We don’t need religion to tell us that killing and other harmful acts are wrong.  It doesn’t take a genius to figure out that such prohibitions are necessary to the viability of human society, not to mention our own self-interest.  In *The Lord of the Flies* by William Golding human nature is represented as selfish and cruel, once the thin layer of socialization has been stripped away; yet the novel appeals to our innate good sense about the need for a moral code.  When Piggy asks, “Which is better—to have rules and agree, or to hunt and kill?” there is little doubt about the right answer.   Certain behaviors are intrinsically wrong, and we have a practical and moral duty to refrain from them.  However, in certain situations it may be our duty to kill, as in war.  Under most wartime conditions, a soldier will kill the enemy without question.  Not only is it a matter of following legal military orders, but it is also a matter of kill or be killed.  But what if that duty conflicts with another one?  What if the “enemy” is a friend or family member, to whom we also have certain obligations of concern? 

Such is precisely the dilemma of Carter Druse in Ambrose Bierce’s 1889 Civil War story “A Horseman in the Sky.”  A native Virginian, Druse chooses to join the Union side.  When he tells his father of his decision, the elder Druse accepts his son’s choice, telling him “Well, go, sir, and whatever may occur do what you conceive to be your duty.” 

Later, Druse is assigned to keep watch on a cliff overlooking his comrades in the valley below as they prepare for a sneak attack on a Confederate camp site.  Should they be detected by the enemy, not only would their plan fail but they would themselves be in a “perilous” position.  Druse falls asleep on his watch, but awakes in time to see a Confederate horseman on the cliff looking down on the five regiments of Federal infantry.  From his hidden location, Druse can easily kill the horseman and save his comrades from detection, but the horseman happens to be his father. 

After a struggle with his conscience, Druse shoots the horse, causing both horse and rider to plunge down the side of the cliff.  Presumably, Druse can satisfy his conscience that he has fulfilled his military duty (and saved his comrades) while also refraining from shooting his own father.  Clearly, though, by shooting the horse, Druse is responsible for his father’s death.  On the other hand, his father had told him to do his duty “whatever may occur.”  The question is, which duty is the higher one in this situation, his familial duty or his military duty?  Which is worse, patricide or treason?

A similar ethical dilemma arises in Susan Glaspell’s short story “Trifles” (see Jan. 19, 2011 post).  Two women struggle between their duty to reveal evidence of a crime and their duty to protect their friend, who has apparently murdered her husband.  Believing there were extenuating circumstances that may have justified the murder, the women end up concealing evidence.   

Whatever we may think of the actions taken by the characters in the two stories, the point is that deontological ethics, like divine command theory, may not help us when we are confronted with two bad choices.

But is the main function of either story to question the efficacy of deontological ethics?  Probably not.  As stated in my blog post on “Trifles,” the main point of the story had to do with the way the male characters dismiss and trivialize the women, thereby overlooking the evidence the women have found. It is not just that the women conceal the evidence, but that the men can’t conceive they might find something significant while sorting through the domestic “trifles” of the suspect.

So, what is the main point of “A Horseman in the Sky”?  Is it an anti-war story, suggesting that war itself is immoral, forcing soldiers to commit horrible acts that they would never commit in civilian life?  Is it about the twisted ironies of life, in which a father’s advice to his son is turned against him?  Or is it about Carter Druse’s character?  After all, he makes his decision to join the Federal Army while his mother lies on her deathbed.  What does that say about his devotion to familial duty? Couldn’t he have waited until after her impending death?  Why does he not struggle with his conscience over abandoning his dying mother?  And, what does it say about his devotion to military duty that he is asleep at his post and only by chance awakes in time to see the Confederate horseman?  Does his struggle with his conscience before shooting the horse suggest a moral advance over his failed duty to his mother?  Or, does his shooting of the horse represent yet another failure to take responsibility for his actions by allowing him to tell himself he didn’t kill his own father?

On a different level, does his decision to join the Federal Army represent an admirable loyalty to the Union (and perhaps an opposition to slavery) or does his disloyalty to his own state (and family)represent yet another failure of character?

Like all good literature, the story is rich with possible interpretations and with implications for our own human reflections on ethics, character, and the ironies of life.

Monday, October 21, 2013

Breaking the Spell II


Chapter 2 of Breaking the Spell by Daniel Dennett (see previous post, Sept. 2013), “Some Questions About Science,” basically continues the argument that science should study religion, something that most readers of the book probably don’t need to be persuaded of, including me.

I was struck, though, that, having defined the object of his study, religion, in chapter 1, Dennett never defines his methodology, science.  Considering that the act of definition necessarily restricts the meaning of a term and that Dennett’s definition of religion is so narrow (see Sept. 2013 post), his scientific methodology is given rather free range.  The underlying assumption is that, science is the only reliable means to truth and understanding.  It is not subjected to the critical questioning that Dennett applies to religion.

As stated in the previous post (Sept. 2013), I welcome a scientific study of religion as a natural phenomenon.  However, I would also welcome a critical study of science.  Does it have any limitations when it comes to the pursuit of truth?

Merriam-Webster defines “science” as “knowledge about or study of the natural world based on facts learned through observation and experimentation (http://www.merriam-webster.com/dictionary/science).  In human history this method has, indeed, proved to be very reliable, enabling us to make predictions about the natural world, the truth of which can then be tested.  It’s a fascinating field of study with many areas of specialization, and I am personally grateful to be living in a world in which science enjoys such broad acceptance and support.  Not only has it made our world more comfortable and convenient, not to mention extending our life spans, it has opened our eyes to ever more wondrous aspects of the natural world. 

One could argue that science has also given us a lot of headaches in, for example, the proliferation of powerful weapons of mass destruction and ever more environmentally destructive machinery, technology, and chemicals.  However, it also offers the means by which we can understand, anticipate, and mitigate the destructive effects of its own application.

I deplore the ignorance of and rejection of science popular among Creationists, global warming deniers, and Bible thumpers.  I do question, however, whether science is the only reliable source of human knowledge.  Is there a distinction between the “natural world” and the human world, that is, between the natural sciences and the human sciences?  Is one more “exact” and reliable than the other?  Is it just “facts” that constitute knowledge or do facts require interpretation in order to be meaningful?  What are the rules of interpretation?  What interpretive methods are used to make sense of the facts, and how reliable are they?  Are all scientific hypotheses testable?  If, by definition, science restricts itself to observable phenomena in the natural, material world, how much can it tell us about non-material phenomena, for example, love, virtue, courage, or, let’s say, consciousness? 

When it comes to non-material phenomena, science can only theorize about it as an epiphenomenon having a material basis and cause.  The origin and function of consciousness in the human brain, for example, may well be true, but science has no way to investigate other non-scientific theories on their own terms.  In other words, science, by definition, rests on the assumption that ultimate reality is material and has no way to evaluate theories that assume a non-material reality is possible.  Though it can answer many practical questions and solve many practical problems, it cannot answer the “big” questions of purpose and meaning in human existence or, for that matter, in the universe.  All it can do in that realm is either deny the existence of meaning and purpose (without being able to prove such non-existence) or say “We don’t know.”  We don’t know because we cannot observe it, measure it, quantify, or test it.  If independently existing non-material reality exists, science can tell us nothing about it.

If the human sciences are less exact and reliable than the so-called “hard” natural sciences, it would seem there is a huge dimension of human experience that is well beyond the scientific method, for example, the mysteries of identity and consciousness, meaning, purpose, values, how we should live, morals and ethics.

In addition, science itself has undermines its own certainty.  Quantum physics has shown how the observer alters the reality being observed, raising the question if we can know reality as it exists independent of our own observation.    Heisenberg’s Uncertainty Principle suggests that what we observe is the result of the conditions of the experiment we set up, again raising the question of whether we can know reality as it exists independent of our own method of study. 

One would think these demonstrable limitations of science would instill some measure of humility in the scientifically minded when it comes to making claims about non-material reality, but they are often as dogmatic and self-righteous as religious fundamentalists when it comes to insisting on the ultimate truth of their own world view.

Chapter 3 of Breaking the Spell, "Why Good Things Happen," begins the study of religion as a natural phenomenon, as we might expect, by making the case that everything humans value can be explained by evolutionary theory and evidence.  Presumably our yearning for meaning, purpose, and validation as creatures of worth in ultimate terms is the result of our evolutionary history. 

Keep in mind that I believe in evolutionary theory.  It has a great deal more evidence to support it than does Creationism.  However, the step from biological evolution to cultural evolution is a step into greater uncertainty.  As Dennett goes on to “explain” religion in evolutionary terms, it remains to be seen whether he can do so without running up against the limits of his own methodology.  For example, even if he persuasively explains the evolutionary origins of our values, will he be able to explain how we determine the relative “worth” of those values?  Can science help us decide what we “ought” to do as well as help us understand “why” we act in certain ways.

Wednesday, October 9, 2013

"The Bishop and the Candlesticks" (and more on "Bartleby")


Whatever else it may be “Bartleby the Scrivener” (see previous post) raises the ethical question of our responsibility to our fellow human beings.  Are we our brother’s keeper?  And, if so, what does that mean? How far do we take it?

I suspect most contemporary readers would say that the lawyer goes way beyond the call of duty by allowing Bartleby to get away with refusing to work and taking up residence at his workplace.  At one point, the lawyer even offers to take him into his home, but Bartleby “prefers not to.”

Our culture puts a high value on self-reliance and individual responsibility.   If Bartleby refuses to work for a living and provide for himself, then he deserves the consequences.  Even a reader who believes in charity and humane treatment of the undeserving might lose all sympathy when Bartleby refuses the lawyer’s offer of taking him home.

At one point the lawyer recalls the scripture of John 13:34:  “A new commandment I give unto you, that you love one another.”  If the story constitutes a test of how well the lawyer treats the “least of these” as if they were Christ himself, does it also suggest that such a high standard of brotherly love is completely unrealistic?  Are Christian ethics, taken literally, completely unrealistic in the human realm?  Just how far are we expected to take them?  Does that make the story a critique of Christianity as an impossibly ideal code that is doomed to failure?  Or is it a critique of society and its failure to organize itself in a way that is compatible with and supportive of such a high standard of behavior?  Or both?

Another story that raises these questions is “The Bishop and the Candlesticks,” found at the beginning of Victor Hugo’s Les Miserables. 

Jean Valjean has been released from prison (actually as a rower, chained to his seat in a sailing ship).  He had initially been sentenced to five years for stealing a loaf of bread to feed his starving family, but his repeated attempts to escape had added 14 more years.  Imprisonment has hardened him, and, upon his release, he is treated cruelly by the local townspeople until one of them finally sends him to the door of the bishop.

Unlike Bartleby’s lawyer, the bishop immediately takes the homeless stranger into his home, gives him a hot meal, and prepares him a bed to sleep in.  In the middle of the night Jean Valjean awakes and, after some indecision, steals the bishop’s silver plates and disappears into the night.  The next day he is captured with the “goods” and brought to the bishop, who tells the gendarmes that he had freely given the man the silver.  When the gendarmes leave, the bishop gives Jean Valjean his two silver candlesticks stating, “It is your soul I am buying for you. I withdraw it from dark thoughts and from the spirit of perdition and give it to God.”  As we know (Les Miserables having entered into popular culture), Jean Valjean goes on to use this gift to make a new start, live an honest life, care for a dying prostitute, raise her orphaned child as his own, save his adopted daughter's lover from death, and, having been redeemed by the kindly bishop, die a man of goodness and faith.

Is the bishop a type of Christ who saves Jean Valjean?  Is he a saint?  Or is he a foolish idealist who is fortunate Jean Valjean did not murder him in his sleep before stealing the silver?  (All this rather overlooks the bishop’s lie to the gendarmes.)

Read realistically, the bishop is a less than credible character who is almost laughably virtuous.  Is that to say that his ethics are too good for this world?  That in real life he would have been quickly exploited by evildoers and sent to his death?  That such goodness could not realistically survive?

Similarly, how realistic is it that a convict mistreated as badly as Jean Valjean would truly reform as a result of the bishop’s one act of compassion and faith?

When we say the story is unrealistic, are we saying that the Christian ethic, when taken literally, is an impossible ideal?  Or are we saying that reality inevitably fails to live up to such a high standard of virtue?

But, of course, neither story is meant to be read realistically.  Both make more sense read as Christian allegory, challenging its (Christian) readers to a higher, more virtuous life, however far that may end up being from the ideal.

In the case of “Bartleby,” however, I do think a valid case could be made, based on other works by Melville (the novel Pierre for example) that the story critiques Christianity for its impractical, if not impossible, expectations for human virtue.  At the same time, its focus on Wall Street and American capitalism suggests that it may be the hypocrisy of a so-called Christian nation that is Melville’s other, equally important, target.

Saturday, September 28, 2013

"Bartleby the Scrivener"


Melville’s “Bartleby the Scrivener” (1853) is one of those tantalizing stories that invite multiple fascinating interpretations:

Bartleby is an eccentric individualist who refuses to conform to social norms.  Society wins.

Bartleby is a mentally ill homeless man who becomes one of society’s disposables.

Bartleby is H D Thoreau, passively resisting authority and paying the price.

Bartleby represents all the victims of greedy capitalism.

Bartleby is a victim of the mindless, mechanical work of industrial society.

Bartleby represents natural human rights (to life, liberty, and the pursuit of happiness?) in conflict with the property rights of capitalist, industrial society.

Bartleby is a Christ-figure or, at least, “one of the least of these” that Christians are commanded to treat as if they were Christ.  His fate illustrates the incompatibility of capitalist, industrial society and Christian values.

Bartleby is the trial sent by God to test the state of the lawyer’s soul as one of the Elect or one of the damned.

Bartleby represents the dehumanization of those caught in the capitalist machine.

Bartleby is a projection of the lawyer’s own dehumanization and his powerlessness to save himself.

Bartleby represents the extreme exercise of free will, allowing him complete freedom, though it leads to his death.

Bartleby represents the universal human condition of the individual in conflict with society.

 

Well, some are more fascinating than others.

 It’s important to note that the full title of the story is “Bartleby the Scrivener, A Story of Wall Street.”  It’s hard not to infer that Melville intends to comment on the financial center of capitalism.  Nor is it unreasonable to expect the reader to interpret it as such.  The first-person narrator, the lawyer, has found himself a safe, comfortable, and lucrative niche protecting the property rights of capitalists on Wall Street.  The lawyer’s office is tucked between two walls, one white, transparent and well lit and the other black, opaque, and dark.  Bartleby spends much of his time staring out the second blank wall.  Is Melville suggesting that the work of Wall Street walls us off from each other? That the capitalists enjoy the view of a bright wall while the workers’ outlook is dark? That the lawyer is comfortably located between the two, earning a good living in service of the capitalists supported by the labor of his office workers.  Do the walls represent the divisions between economic classes in a capitalist society? 

And what of the work that the office workers perform?  A scrivener is a human Xerox machine, literally copying documents by hand and then laboriously checking the copies for accuracy as the lawyer reads the original aloud.  This mechanical, mindless work is paralleled by the predictable behavior of the workers, who themselves seem somehow “programmed.”  The elderly Turkey is mild-mannered and productive in the morning but turns erratic, and error-prone in the afternoon.  The young Nippers, on the other hand, is restless and nervous in the morning but settles down in the afternoon.  Does their robotic behavior reflect the mind-numbing nature of industrial work under capitalism?

Into this Pavlovian world enters Bartleby, who starts out as a reliable copier but refuses to participate in the checking of the documents, simply replying “I prefer not to” when called to work by the lawyer.  He then begins to reply in the same manner when asked to run an errand.  Eventually, he refuses to work at all and simply stares at the window at the dark, blank wall.  Unlike the lawyer, who fits comfortably into the world of Wall Street, Bartleby asserts his free will in the extreme, using “passive resistance” to defy the lawyer and his world. 

The lawyer, to his credit, tries every means of persuasion to win Bartleby’s cooperation before finally firing him.  Bartleby, however, refuses to leave the premises.  It seems he has been living there all along.  Rather than resort to calling the police or forcibly removing Bartleby himself, the lawyer takes the extreme measure of moving his office to another site.  But, this action, similar perhaps to Pilate washing his hands of final judgment on Jesus Christ, merely enables the lawyer to avoid taking any responsibility for the man.  When the new occupant of the lawyer’s old office space shows up to insist “you are responsible for the man you left there,” the lawyer, like Peter denying Christ, responds, “the man you allude to is nothing to me…no relation or apprentice of mine that you should hold me responsible for him.”

If these comparisons to Christ seem to be a bit of a stretch, consider that, at one point when the lawyer is debating what to do about Bartleby, he overhears a conversation, which he believes at first is about his indecision but then realizes is actually about the mayoral election being held that day.  In Melville’s day, “election” would have a religious as well as a political meaning.  In the Calvinist theology in which Melville was steeped (http://philosopedia.org/index.php/Herman_Melville) one was predestined to be one of Elect (preordained by God for salvation) or one of the damned.  Is Bartleby a test of the state of the lawyer’s soul?  Is the lawyer one of the Elect or is he damned?  According to Matthew 25: 31-42 Christ will return on Judgment Day and determine who goes to heaven and who to hell based on whether one has treated those in need as if they were Christ himself. 

In the end the lawyer visits Bartleby in prison, where he is found facing a “high wall” among “murderers and thieves.”  Is it significant that Christ was crucified between two thieves?  Is it significant that when the lawyer returns to find Bartleby dead he makes a reference to him being at rest “With kings and counselors” (Job 3:14)? 

For all the compassion that the lawyer feels toward Bartleby, in the end he does not take responsibility for this “least of these” (Matthew 25: 40).  From a realistic perspective, we might say that the lawyer went far beyond what was reasonable to expect by not calling the police on Bartleby or throwing him out forcibly.  Yet, from a Christian perspective, we might say the lawyer utterly failed to meet the test that Christ set for salvation.  Is Melville questioning whether a capitalist society can also be a Christian society?  Or is he questioning whether Christian ethics is realistic and reasonable in the human realm?

If the lawyer, who seems to allow circumstances to determine his actions,  represents the Calvinist belief in predestination (absence of free will), does Bartleby represent the Transcendentalist belief in free will and individual responsibility?  If so, do the two characters represent the extremes to which the two positions can be taken?  Is it fair to condemn the lawyer for failing to meet Christ’s high standard for salvation?  Is it fair to glorify Bartleby for his (selfish?) insistence on individual “preference”?  Is Melville, like Hawthorne (see previous posts Oct. 2012 & May 2013), using Puritan Calvinism to critique romantic Transcendentalism and vice versa? 

For that matter, is Bartleby truly a victim of capitalism or society in general?  Or is he a victim of his own willfulness? 

I find myself intrigued, though, by the idea of Bartleby as a projection of the narrator’s own psyche.  To what extent has the narrator been dehumanized by his acquiescence to his social and economic circumstances? To what extent is it dehumanizing to deny the power of free will to individuals?  Does Bartleby represent the lawyer’s own dehumanization on one hand and his repressed desire to rebel and assert himself on the other?  If Bartleby is a fantastic version of the lawyer’s own psyche, does he take such an extreme form because the lawyer himself is so extremely passive, non-confrontational, and powerless? 

In any case, the story raises profound questions regarding social organization, material vs. spiritual well-being, religion, individualism, ethics, and our responsibility to each other as fellow human beings.

Thursday, September 26, 2013

Breaking the Spell I


My Unitarian Universalist Adult Religious Education group is reading Daniel Dennett’s 2006 study of religion *Breaking the Spell.*  The plan is to discuss small chunks every two weeks or so through next May.  Therefore my plan is to post a series of commentaries, one chunk at a time, allowing for much more depth than most of my blog posts.  This post covers chapter 1, “Breaking Which Spell?” 

Dennett proposes to break the taboo against studying religion scientifically “as a natural phenomenon” even at the risk of breaking the spell, the “enchantment,” of religion itself.   I found it puzzling that he would spend so much time defending this proposal since I was under the impression that historians, social scientists, psychologists, etc., had been studying religion and religious experience long before 2006.  As a student at a Disciples of Christ sponsored college in the late 1960s, I was required to take two semesters of religion.  Both courses were scholarly studies of the Bible based on historical, textual, and linguistic evidence.  Jerry Falwell studied under the same professor as I did, and, according to the professor, he objected strongly and vocally to this approach to Biblical study.  The taboo was apparently real for Falwell (no surprise there), but the professor defended his approach on academic grounds and no students, faculty, or administrators that I knew ever objected.

Having been raised as a Southern Baptist I will confess that my college religion classes did break what little was left of the “spell” that my religious upbringing had cast over me.  That spell, however, had already been put in question by high school biology (we studied evolution) and my own rational thinking.  Ironically, it was my formal and informal study of literature, poetry, metaphor, symbolism, mythology, world religion, philosophy, astronomy, and physics that recast the spell in much more sophisticated, figurative, abstract, and, yes, scientific terms. 

My reading of *The Housewife and the Professor* (see previous post) reminded me of my early fascination with Platonism, which I studied in college philosophy classes and which could be considered a religious world view.

And like many of my friends, who consider themselves “religious” or “spiritual,” I welcome the study of religion and the opportunity to expand my understanding of this aspect of my experience and understanding of the world.  I wonder why Dennett has not been exposed to more of us for whom religion, responsible scholarship, rational thinking, and scientific study are not necessarily at odds.

Related to this question is the second bone I have to pick with Dennett’s first chapter.  Why does he define religion so narrowly?  Here’s his “tentative” definition:  religions are “social systems whose participants avow belief in a supernatural agent or agents whose approval is to be sought.”  I understand the value of distinguishing between organized religion (“social systems”) and private religious or “spiritual” experience or belief.  But why must religion be limited to belief in a “supernatural agent  or agents whose approval is to be sought”?  Dennett seems to restrict religion to belief in an anthropomorphic “god” or “gods” with the power to pass judgment on us.  He seems to take the anthropomorphic language of traditional religion literally, without allowing for the capacity of believers to use the language metaphorically.

In other words, he seems to propose to subject fundamentalist, literalistic religious belief (such as that of Jerry Falwell) to an exhaustive scientific study but not the kind of religion that itself takes into account science and rationality or the kind that resists claims of certainty but simply maintains a mindset that is open to exploring the possibility of a supernatural reality (not necessarily a being or “agent”) or dimension in the universe. 

Finally, by Dennett’s definition, my own religious denomination of Unitarian Universalism, though it qualifies as a social system, would not meet his definition, and would therefore be considered a form of religious fraud, illegitimately taking advantage of the 501c3 tax exemption for religious organizations. 

I wonder if his “tentative” definition will undergo any loosening or broadening as his study continues to unfold.