Saturday, November 2, 2019

Nineteen Eighty-Four


This dystopian novel by George Orwell was first published in 1949. I read it in the 1960s and taught it to first-year college students in 1984. Last night I saw a dramatic performance adapted for the stage by Michael Gene Sullivan.

In the 60s, those of us who were active in the Vietnam War protests battled the barrage of government propaganda, disinformation, and misinformation regarding the origin of the war, the need for the war, and the progress of the war.  Orwell’s concepts of Newspeak, Doublethink, and even Thoughtcrime (Vietnam protesters were labeled unpatriotic and subversive for opposing the War) seemed to apply. FBI surveillance of Vietnam protesters seemed to mirror the watchful eye of Big Brother through the widespread use of government cameras to keep citizens in line with the Party.

When I taught the book in 1984, it seemed far-fetched.  And since then, we’ve grown accustomed to the prolific use of surveillance cameras by law enforcement and private citizens alike to deter crime. 

With the Trump presidency, Nineteen Eighty-Four has become relevant again. And the stage play was frankly terrifying, as the comparisons were unmistakable.  Instead of Newspeak and Doublethink, we have “fake news” and conspiracy theories, bolstered by doctored photos/videos and the deliberate spread of propaganda, not only by elected leaders and their staffs, but also by private citizens on social media, not to mention other countries. 

As in the original novel we now have blatant disregard for facts, science, rational thought, and the direct experience of our eyes and ears.  Trump and others publicly deny they said something that is right there on unedited video or audio transcript for all to see and read. 

In Nineteen Eighty-Four the Thought Police enforce conformity to the Party line with the use of torture.  In the stage version Winston Smith is subjected to increasing levels of electric shock until he finally agrees that two-plus-two is five and that he loves Big Brother.  That is scary enough.  What is particularly scary today is how many of our fellow citizens are willing participants in the campaigns of propaganda, misinformation, and disinformation to which we are all subjected.  Too many of us are uncritically willing to believe what we want to hear or think we know rather than to take the time and exercise the discipline it takes to at least come close to the truth.

Today the government and the Party do not need Thought Police and electric shock because they have partisan loyalists and sycophants whose eyes and ears are closed as they open their mouths to readily ingest toxic, false messages and then turn around and spew those messages out to their own followers on social media.

George Orwell envisioned a citizenry of helpless victims subjected to Big Brother’s totalitarian power; he did not envision a citizenry of willing participants fully cooperating in their own manipulation and delusion.

What I am grateful for in the scary times we live in is (1) an educational system that is hopefully teaching critical thinking and evaluation of sources for reliability, (2) freedom of the press that allows for competing points of view, even as some media outlets toe the Party line and help spread false information, and (3) freedom of speech that allows those who value facts, evidence, and reason to counter the propaganda, misinformation, and disinformation, even as it also enables the false narratives.  Unlike the fictional world of Nineteen Eighty-Four, we have the right and the power of dissent. 

So let us use that right and that power to educate others, as best we can, in reliable methods of research and responsible methods of determining truth; to analyze our own sources of information for reliability and discipline our own thinking to rely on facts, evidence, and reason; and to raise our voices to counter those who would misinform, mislead, and manipulate. 
 


 The stage for the play was a hall of mirrors.  You can see the reflection of the audience. Look in the mirror, America!

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